about
About
I’m a singer, songwriter, producer, arranger and composer based in London, with 12 years of experience. My work is at the intersection between the cinematic, the emotional, the visual and the sonic. I work best with artists who want to make something emotionally deep and perhaps a bit otherworldly. Often people who have a strong instinct for what they want to say but need support creating the visual or sonic world around it. I work with anything from a 10 second voice note to a demo that needs tweaking or mixing.
My background is in songwriting/production, and later jazz music which I studied for year at the College of Performing Arts in Manhattan. Later I studied BA Fine Art with a focus in time based media at Central Saint Martins in London (grad. 2026). I do also have a fine art practice and regularly participate in group shows.
As an artist myself, I understand how daunting it is to allow someone else to work on anything close to your heart. Since my early teens, I’ve worked with artists, DJs, producers and session musicians across the industry. I became a producer myself because I felt it was hard to have my voice heard and my vision respected as a young woman in such a male dominated field.
I believe that the most important part of the process is the emotional core / truth of it, and my particular strength is in feeling my way through to the emotions and bringing that to the surface.
On a technical level I can work on the visual and the sonic, as well as notating and orchestrating for any instrument. If you’re working on something that is close to your heart and needs a lot of care please shoot me an email. I’m happy to arrange a short call to make sure I’m the right fit. Because of my years at top arts institutions I also have a wide network of creatives across various disciplines I can involve based on budgets and what the project at hand needs. I’ve worked on a wide range of things visually as well, so creative direction and consultation is possible too if it becomes clear that’s more what is needed from me.
My background is in songwriting/production, and later jazz music which I studied for year at the College of Performing Arts in Manhattan. Later I studied BA Fine Art with a focus in time based media at Central Saint Martins in London (grad. 2026). I do also have a fine art practice and regularly participate in group shows.
As an artist myself, I understand how daunting it is to allow someone else to work on anything close to your heart. Since my early teens, I’ve worked with artists, DJs, producers and session musicians across the industry. I became a producer myself because I felt it was hard to have my voice heard and my vision respected as a young woman in such a male dominated field.
I believe that the most important part of the process is the emotional core / truth of it, and my particular strength is in feeling my way through to the emotions and bringing that to the surface.
On a technical level I can work on the visual and the sonic, as well as notating and orchestrating for any instrument. If you’re working on something that is close to your heart and needs a lot of care please shoot me an email. I’m happy to arrange a short call to make sure I’m the right fit. Because of my years at top arts institutions I also have a wide network of creatives across various disciplines I can involve based on budgets and what the project at hand needs. I’ve worked on a wide range of things visually as well, so creative direction and consultation is possible too if it becomes clear that’s more what is needed from me.
Influences
One of my first vivid memories of music was watching Marie Antoinette (2006) far too young and getting more obsessed with the soundtrack than the film. Dustin O’halloran and Aphex Twin fascinated me with their modern approaches to composition. I was classicaltly trained in Piano and Music theory from age seven and then I extended that training at Jazz Conservatoire (College of Performing Arts, The New School) in New York. After a year I dropped out and applied to Central Saint Martins in part because I felt that music school was limiting me to my instrument, and that goes against my understanding of music as expansive and intertwined with so many other fields. I continued with Jazz Piano for around another year under the tutelage of jazz pianist Haim Cotton to whom I owe a lot of my later understanding of music.
Below are a selection of compositions and video collages to show you my sensibilties. As I’ve focused more on production and songwriting the piano pieces are not professionally recorded. But hopefully it shows you the lane I operate in musically. My composition arguably blurs with my production, so I’m always doing both. My biggest influences are Dustin O’halloran, Nico Muhly, Björk and early-modern “impressionist” French composers like Maurice Ravel, Debussy and Gabriel Fauré as well as figures in jazz like Alice Coltrane, Duke Ellington and Dorothy Ashby.
Below are a selection of compositions and video collages to show you my sensibilties. As I’ve focused more on production and songwriting the piano pieces are not professionally recorded. But hopefully it shows you the lane I operate in musically. My composition arguably blurs with my production, so I’m always doing both. My biggest influences are Dustin O’halloran, Nico Muhly, Björk and early-modern “impressionist” French composers like Maurice Ravel, Debussy and Gabriel Fauré as well as figures in jazz like Alice Coltrane, Duke Ellington and Dorothy Ashby.
Over the last two years I’ve had the pleasure of finishing songs I started when I was between the ages of 13-15. Below are some examples of how I did that, to give you an idea of what I would do to a demo to finish a song. On these songs I also arranged for harp and strings (violin, violla, cello).